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Here
are the long promised sleeve notes for the CD album especially
compiled for the (4) people who actually purchased the physical
CD and the innumerable thousands who purchased digital
downloads, allowing Classycool Music staff to enjoy Beckhamesque
lifestyles forever.
This page is what remains of a blog written by Mel Stallwood which unfortunately managed to delete itself and a good deal of the years of jottings sadly disappeared.
The original title 'Keep a Rainbow in your Heart' (and your peace will be like gentle rain) was first composed in 2002 and was intended to be a musical tribute to Teesdale in springtime. The composer attempted to illustrate the river and becks, waterfalls, wild flowers, lambing and changeable weather. The piece was also arranged for string orchestra + flute/oboe and harp and included in a 4 seasons kind of setting. The work was entitled the 'Teesdale Suite'. 'Keep a Rainbow in your Heart' was part of the 'Spring' section
Early in 2001 I wrote a musical called the "Angel of Derry" about the
'troubles' in Northern Ireland. I
first composed the music comprising of 10 pieces and called it
the 'Irish Suite' . The 'Irish Suite' is actually a musical
portrayal of a story I drafted (called 'The Angel Of Derry' )
which I planned to turn into a musical.
Set in Belfast, the story is about a nurse (Mary OConnor) and
Bill Woods. Mary, originally from Dublin (nicknamed Angel)
sings and plays the harp, and Bill plays flute/sax with a
visiting British army band. Their inevitable relationship
creates serious complications, especially when Angels
republican brother (Sean) is killed by the British Army during a
riot. The ensuing love story creates sectarian mayhem, but the
incredible heart-rending twist at the end almost solves the
Irish problem. Anyway despite being interviewed on BBC Radio
Ulster, I was unable to find a publisher or anyone prepared to
invest in the idea. I then used a couple of the pieces as well
as some new music and put together the 'Teesdale Suite' which I
wanted to be a tribute to the lovely area of Northern England I
am privileged to live in.
Again, I sadly failed to rustle up any interest, even the local
stores, Raby Castle, Eggleston Hall and other tourist venues
declined to offer the CD for sale in their shops. I thought it
would be nice if a local orchestra premiered the work or part of
it, but after spending sleepless night writing hundreds of
orchestral parts for the local 'Cobweb' orchestra they decided
that the music was too much like 'film' music and their members
preferred to play familiar classical styles.
I was now becoming suicidal and turned once more to roaming the
hills with unkempt dogs, beards, out of date maps, broken
compasses and other dangerous things. To cut a long beard short,
regarding 'Valley of the Ice Flowers' I have a book called
'England's
Last Wilderness' by David Bellamy and Brendan Quayle, which
documents the local myths and legends of the Northern Pennines
going back to its Celtic and Norse roots. It provided my
inspiration for much of this album, especially after visiting
some of the remote locations, as the book says the north pennines
are one of the most magical, yet least discovered areas in
England. A land of moor and mountain, of hidden valleys and
ancient woodland. I wrote some of the tunes with some of these
ancient myths in mind, for instance the first section of 'Elspeths
Dream' when in its original habitat in the Teesdale Suite was
meant to portray the remote cold winters of Baldersdale where
Hannah Hauxwell once lived. The piece was the 2nd movement of
the four seasons section of the Teesdale Suite and was called
'A Winter Too Many' (Upper Teesdale).
As keen lovers of the countryside and rambling (mainly verbally)
my wife and I like to pootle off whenever we can for a few days
to neighbouring areas of Northern Britain. We always find lots
of books and leaflets about the local area, wild life, flora,
houses, castles, waterfalls, books of ghost stories and of
course all the favourite local walks which often are made as
attractive and interesting as possible by strange and wonderful
tales of romance, tragedy and myth. Teesdale, our home for 20
years is no exception and one my books on the area, Englands Last
Wilderness by David Bellamy and
Brendan Quayle describes Teesdale
as the Valley of the Ice Flowers (now you know how the Teesdale
Suite became Valley of the Ice Flowers).
Chapter 1 begins,
"To any botanist worth his salt, Teesdale is a magic word spoken
with a sense of true
reverence. It is a place of pilgrimage
where memories of some 12,000 years of environmental change
linger on in a bouquet of flowers. The valley is one Englands
great historic landscapes, painted by Turner and immortalised by
Sir Walter Scott. There are castles and a ruined abbey, ghosts
and a great grouse moor, Roman and Celtic remains, and through
it all (we offer you perfection) runs one of the best
stretches of white or fast river in the country, fed by
magnificent waterfalls, the most impressive being High Force".
"But above, below and all around are Teesdales flowers.
Delicate blue gentians and pink primroses head a whole flowering
of of alpine and arctic plants which brighten each new spring as
they have since the last Ice Age melted away" (Sorry about the
silly Robbie Williams reference) surprises how most of the local
people born and bred in this area have little or no idea of
their unique botanical heritage, rivalled only by maybe one
other site in the whole world. But I mustnt digress
Tomorrow I will attempt to relate the amazing story behind
Elspeth's Dream
tees at its junction with the River
Balder. In Celtic times, the confluences of rivers and streams
were mysterious places, believed to be the haunts of spirits,
both malevolent and benevolent. One famous legend concerns the
last of the Lords of Romaldkirk whose castle once looked down
from high on the magical meeting of the Tees and the Balder. The
castle no longer remains, but you can see the last of its
foundations on the steep hill which overlooks the local lord
went hunting and on his way met Elspeth, an old woman who warned
him against going out that day. However, the proud lord ignored
the advice offered and headed out with his hounds and horse to
the wood. At twilight he became separated from the rest of his
party, and entering a woodland glade saw a vision in the
moonlight: a pure white hart". The rest of the story is best told
in this anonymous local rhyme best read in the traditional
scary Scottish drone (imagine Fraser from Dads Army) (Page 29)
upper dale cast your eyes due south towards Lunedale and there in the hills above the town stands a solitary
clump of ancient Scots pines. These dark trees mark the site of
a great tumulus, Kirkcarrion. This was excavated in 1804 and in
it were found the bones of a Brigantine prince, Caryn, hence the
name 'Kirkcarrion' Caryn's Castle. It is a great romantic
sight on a late summer evening when the sun slips down on the
fells behind, or when the moon is full, shining an eerie light
upon the sentinel trees and prehistoric mound lying below. When
the moon is out, Caryn's unsettled spirit is believed to stalk
the fells, no doubt lamenting the disturbance of his Celtic
tomb.
Here is a magical little place I have spent some happy moments
in quiet contemplation. My previous post relates the amazing
tale of the Lord of Romaldkirk and Elspeth and this little spot
is close to that fateful crag overlooking the meeting of the
rivers Balder and Tees. I wrote the music with this lovely
little spot in mind and added my usual large dollup of fantasy.
The footpath leads on the the old Shaw Bowes Academy where
Charles Dickens was inspired to write Nicholas Nickleby and his
tales of Wackford Squeers and Dotheboys Hall. My story however
is not to be told today, but it doth reside in the music.
A special tune for a special lady.
One of the first tunes I ever wrote (1981) apart from a few childhood attempts. I remember playing it on my old Boyd baby grand in my basement studio
The flower pictured is actually called 'Sylvia'
Alluding to a comparison of Teesdale with the Eden valley. This
was 'Autumn' in the Teesdale Suite and was the anthem for
Teesdale. The original 'Irish Suite' name was 'Ireland, Ireland
- a land as fair as Eden'.
Originally
'Life Keeps Turning' the inspiration came from an old Water Mill
not too far away -
A nice (secret) place to spend time.
There's a bit more to this story and I will try to get round to publishing more details another time.
Another of my Celtic collection.
Dance of the Dawn was an Irish Jig originally.
Composed for the abandoned musical 'The Angel of Derry' it's
a musical portrayal of a love story during the 'troubles' of
Northern Ireland. Set mainly in Belfast it's about a nurse
(Mary O'Connor) and Bill Woods. Mary (nicknamed 'Angel')
from Dublin plays the harp, and Bill plays
flute/saxophone with a visiting British Army band. Their
inevitable relationship creates serious complications,
especially when 'Angels' republican brother (Sean) is killed
during a riot. The ensuing love story and apparent 'miracles
that happen around Mary creates sectarian mayhem, but the
incredible heart-rending twist at the end almost solves the
Irish problem...
This is typical 'Riverdance' stuff.
'If Only' doesn't actually belong in VOTIF but somehow found its way onto the CD. The song (words below) was originally written for Westlife but ended up being sung by Bill in 'The Angel of Derry'.
I wanna stay with you forever
wanna lifetime guarantee
I could be wrapped around your fingers
If only you could see
I wanna dance with you all night now
I wanna kiss and hold you tight
If only you feel the way that I do
If only you wanted me tonight
Bridge
You know Ive never really told how Ive
loved you for so long
But you never seem to notice me
Why cant you see youre so right for me
I wanna love you for a lifetime
Id never let you slip away
Ill put a ring around your finger
If only youd agree
V4.
I wanna dance with you all night now
I wanna kiss and hold you tight
If only you feel the way that I do
If on ly you loved me.
(Solo)
Bridge
Verse 1.
Verse 4.
The piano solo 'Beyond the Rain' probably goes back to around
1982 when the tune was
written to fit Jane Carol's famous lyrics
'You will Never Know How Much It Hurt' also became included in
The Angel of Derry (from 'The Angel of Derry' lyrics Jane Caroll)
And now the threads of time
Run through my broken dreams again
Too hurt to feel, to know whats really true
Why do I hear the things my heart would never listen to.
To lose is not to die
But now Im on my own again I miss you so,
but pride wont let me show
How much it hurt to hide the pain inside and let you go.
To lose is not to die
And life would take my hand again
Ill touch the stars that shine beyond the rain
And you will never know how much it hurt to let you go
And you will never know how much it hurt to let you go
I try to understand
And watch you walk away
from all we planned
But if you came back to me
Night would show the day to me Oh no
Originally
written for the 'Irish Suite' and then included in the 'Angel of
Derry' which unfortunately never materialized.
The title was 'Your Peace will flow like a River' (inspired from the book Isaiah 66) and was orchestrated featuring Flue and Harp solos. The first section written in C minor was not included in the original.
This
piece
is one of a few compositions that I had no recall of thought
or preparation until I woke early one morning went to the
piano and played it straight through. I think I tweaked the
arrangement later and added the key change but that was
about it. Jane had spent a year ill in bed and even now
after she got back on her feet she never has a day without
pain. Nights are worse and poor Jane hasn't got through a
night for maybe five years (at least). Jane deserves this
special Nocturne. If it ever made any money then we would
spend it on treatment and then a nice holiday!